Summer Reading List: Black Revolutions

As part of the Department of English’s commitment to express our solidarity with Black Lives Matter by doing more to center black life in our curriculum and scholarship (opens in a new tab), this month we will be sharing reading lists taken from some of our courses on black voices and black lives. 

The first in this summer reading list series is taken from a course taught by Dr. Rian Bowie:

Black Revolutions: African American Writers and their Visions for a New World Order

This course takes an unusual view of African American literary traditions. In this course, students examine utopian and dystopian visions of slavery and freedom as they appear in nineteenth- and twentieth-century African American fiction and nonfiction writings. The mixture of genres and chronologies provide a lens through which to examine ways that black-authored texts grapple with basic questions related to individuality, kinship, identity, and inclusion. While basic questions overlap to reveal continuity, each author presents complex and at times competing answers to the problems of race, racial identity, and physical placement within an American social landscape. Students in the course wrestle with several crucial questions. What does it mean to write a “black” text? Does its creation serve as an act of resistance or insurrection? In what ways do texts for this course participate in revolving (intertextual) debates about race, place, and materiality of the (black) body? Can we find locatable sites of revolution—actual or theoretical—in texts where, at the end of the processes of reading, the aim has been to provide an alternative to the elusive dream of black inclusion within American social and political life? What happens to the authority of blackness if either the  world that exists or the one that could possibly be created relies upon forms of absence and erasure for its existence? 

Reading List

David Walker, David Walker’s Appeal (opens in a new tab) (also in print (opens in a new tab)),1829

Pauline Hopkins, Winona (opens in a new tab) (also in print (opens in a new tab)), 1902

Maria Stewart, Selections

Jessie Fauset, Comedy: American Style (opens in a new tab), 1933

Martin Delany, Blake; or, the Huts of America (opens in a new tab), 1859

George Schuyler, Black No More (opens in a new tab), 1931

Sutton Griggs, Imperium in Imperio (opens in a new tab) (also in print (opens in a new tab)), 1899

Octavia Butler, Parable of the Sower (opens in a new tab), 1993

Charles Johnson, Dreamer (opens in a new tab), 1998

Sam Greenlee, The Spook Who Sat by the Door (opens in a new tab), 1969                                

Film: Oscar Micheaux’s Within Our Gates (available on YouTube and Amazon Prime)